German com­pos­er Paul Hindemith wrote more than forty sonatas. In addi­tion to at least one sonata for each stan­dard orches­tral wood­wind, brass, and string instru­ment, he wrote for a num­ber of less-com­mon solo instru­ments, includ­ing the English horn, the vio­la d’amore, and the althorn. Although he was pri­mar­i­ly a vio­la play­er, Hindemith owned and could play many of the instru­ments for which he wrote; he appar­ent­ly had a par­tic­u­lar inter­est in the bas­soon. An entry in the Heckel vis­i­tor’s log indi­cates that Hindemith pur­chased a bas­soon from the firm on October 9, 1927. Hindemith wrote his Sonate for bas­soon in […]