Douglas Detrick's AnyWhen Ensemble - Bright and Rushing World
I have long intend­ed to write more here about spe­cif­ic jazz record­ings that include bas­soon. I have many favorites span­ning basi­cal­ly the whole his­to­ry of jazz, which I’ll get to even­tu­al­ly. But I’ve decid­ed to start with a recent album from a band that’s new to me. Last month I received a copy of The Bright and Rush­ing World by Dou­glas Detrick’s Any­When Ensem­ble (thanks, Dad!). This, the group’s third album, was record­ed in 2012 and released in March of this year. I’ve been lis­ten­ing to the disc on and off over the past few weeks, and I quite enjoy it. […]
The cover of Michael Naura's album Vanessa, showing the silhouette of an insect on a bright pink background
  The vast major­i­ty of peo­ple who have record­ed bas­soon in jazz con­texts have been dou­blers who pri­mar­i­ly play sax­o­phone, such as Illi­nois Jacquet, Frankie Trum­bauer, and Ben Wen­del. A very small num­ber of play­ers (Paul Han­son and Michael Rabi­nowitz are the best known) tru­ly spe­cial­ize in play­ing jazz on the bas­soon. But there is a third cat­e­go­ry as well: orches­tral bas­soon­ists who have occa­sion­al­ly ven­tured into jazz contexts. In 1935, Sol Schoen­bach record­ed four tunes by British jazz pianist Regi­nald Foresythe in a small group that also includ­ed Ben­ny Good­man and Gene Kru­pa. Ken­neth Pas­man­ick, long­time prin­ci­pal bas­soon­ist of […]
The Mo - Nancy
In my ongo­ing quest to find bas­soons in unex­pect­ed places, I’ve uncov­ered a new gem. The Mo (or some­times sim­ply “Mo”) was a Dutch New Wave band formed in 1979 by broth­ers Clemens and Huub de Lange. The band had a cou­ple of incar­na­tions, but its ini­tial line­up includ­ed singer Heili Helder, drum­mer Harm Bieger, Clemens de Lange on key­boards, and Huub de Lange on key boards and—you guessed it—bassoon. Huub de Lange appears to be known most­ly as a choral com­pos­er now; here’s his Choral­Wi­ki page. I wrote to him ask­ing some ques­tions about the band, but got no […]
Jazz Bassoon Cover
My main area of research in the past few years has been the use of the bas­soon in jazz; in fact, I wrote my dis­ser­ta­tion on the sub­ject. But I’ve thus far neglect­ed writ­ing about it here, most­ly because there’s too much infor­ma­tion to con­dense into a sin­gle blog post! I’ll get around to writ­ing a his­tor­i­cal overview at some point, but for now, suf­fice it to say that there have been hun­dreds of jazz record­ings (close to a thou­sand, actu­al­ly) that include bas­soon­ists in var­i­ous roles, dat­ing back to at least the ear­ly 1920s. Today, as a start­ing point, I’m […]
I Love Your Big Bassoon
I keep a vari­ety of online feel­ers out for bas­soon-relat­ed things. Much of what comes back to me is spam or oth­er­wise unin­ter­est­ing. But, I do find out about arti­cles and con­certs that I might not oth­er­wise. My favorite sort of dis­cov­er­ies, though, are of obscure and often long-for­got­ten bits of bas­soon miscellany. That’s exact­ly what I came across a cou­ple of weeks ago in the record whose cov­er you see below. It’s a 7‑inch 45 rpm sin­gle by the Nov­el­ty Dis­co Band, record­ed and pressed in France in 1977. After find­ing men­tion of it online, I bought a copy […]