figaro-combined
In Fall 2014, I was lucky enough to be invit­ed to play Mozart’s Bas­soon Con­cer­to, K. 191 with Sac State’s Uni­ver­si­ty Orches­tra under the direc­tion of Leo Eylar. The Mozart con­cer­to is the piece that fol­lows bas­soon­ists around for their entire careers. A teacher once told me: There are two types of audi­tions: ones that ask for the Mozart con­cer­to, and ones that ask for a con­cer­to of your choice, which means play the Mozart concerto. I’ve worked on the Mozart con­cer­to on and off since high school, have played it for count­less audi­tions, and have per­formed it with piano accom­pa­ni­ment. […]
The library at Sacra­men­to State boasts a fea­ture which is, I believe, unique among Amer­i­can aca­d­e­m­ic libraries: a Japan­ese tea room. The Sokiku Nakatani Tea Room, which was ded­i­cat­ed in 2007, was the gift of an anony­mous donor and is named after a long-time Sacra­men­to-area prac­ti­tion­er of Cha­do (more on this term soon). The tea room sits in the library’s base­ment, with win­dows look­ing out onto a small adja­cent gar­den that is clev­er­ly tucked away from the hus­tle and bus­tle above. In addi­tion to hous­ing a col­lec­tion of tea ware and tea prepa­ra­tion uten­sils, the tea room peri­od­i­cal­ly hosts tea […]