I’ve writ­ten pre­vi­ous­ly about the three ear­li­est record­ings of Carl Maria von Weber’s Andante and Hun­gar­i­an Ron­do — two fea­tur­ing Ger­man-Amer­i­can bas­soon­ist William Gruner (1920 and 1926), and one with French bas­soon­ist Fer­nand Oubradous (1938). As a num­ber of peo­ple point­ed out, I left out anoth­er ear­ly record­ing by Eli Car­men from the late 40s. I did­n’t have a copy at the time, but I’ve man­aged to get my hands on one now. This one’s a bit of an odd­ball: it’s only the Ron­do, it was record­ed for a chil­dren’s record label, and it was released on a vinyl 78rpm […]
Most of the ear­ly record­ings that fea­ture the bas­soon did so in a com­i­cal fash­ion. A hand­ful of artists record­ed Quentin Ash­lyn’s song “The Bas­soon” in the first decades of the 20th cen­tu­ry, and I have in my col­lec­tion a cou­ple of very strange (at least to mod­ern ears) “laugh­ing records” from the same era that include the bas­soon. In 1911, Carl Borg­wald record­ed Julius Fučík’s clas­sic “Der Alte Brumm­bär” in 1911 (released as “Pol­ka Fan­tas­tique” in the U.S.). And in 1918, Edi­son released two some­what sil­ly piccolo/bassoon duets: “The Ele­phant and The Fly” and “The Nightin­gale and the Frog”, […]