figaro-combined
In Fall 2014, I was lucky enough to be invit­ed to play Mozart’s Bas­soon Con­cer­to, K. 191 with Sac State’s Uni­ver­si­ty Orches­tra under the direc­tion of Leo Eylar. The Mozart con­cer­to is the piece that fol­lows bas­soon­ists around for their entire careers. A teacher once told me: There are two types of audi­tions: ones that ask for the Mozart con­cer­to, and ones that ask for a con­cer­to of your choice, which means play the Mozart concerto. I’ve worked on the Mozart con­cer­to on and off since high school, have played it for count­less audi­tions, and have per­formed it with piano accom­pa­ni­ment. […]